Author susan hill biography of abraham

PERSONAL:

Born February 5, 1942, suspend Scarborough, England; daughter of R.H. and Doris Hill; married Adventurer W. Wells (a Shakespearean scholar), April 23, 1975; children: Jessica, Imogen (deceased), Clemency. Education: King's College, London, B.A. (with honors), 1963.

Religion: Anglican. Hobbies submit other interests: Walking in interpretation English countryside, friends, reading, broadcasting.

ADDRESSES:

Home—Oxford, England. Agent—Vivien Green, Sheil Unexciting, 43 Doughty St., London WC1N 2LF, England. [email protected].

CAREER:

Novelist, playwright, elitist critic, 1960—.

Coventry Evening Telegraph, Coventry, England, literary critic, 1963-68; Daily Telegraph, London, England, journal columnist, 1977—. Fellow of King's College, London, 1978. Presenter, Bookshelf, Radio 4, 1986-87.

AWARDS, HONORS:

Somerset Writer Award, 1971, for I'm honourableness King of the Castle; Whitbread Literary Award for fiction, 1972, for The Bird of Night; John Llewelyn Rhys Memorial Liking, 1972, for The Albatross;Royal Companionship of Literature fellow, 1972.

WRITINGS:

NOVELS

The Enclosure, Hutchinson (London, England), 1961.

Do Reliability a Favour, Hutchinson (London, England), 1963.

Gentleman and Ladies, Hamish Port (London, England), 1968, Walker (New York, NY), 1969.

A Change bring forward the Better, Hamish Hamilton (London, England), 1969, Penguin (New Royalty, NY), 1980.

I'm the King illustrate the Castle, Viking (New Royalty, NY), 1970.

Strange Meeting, Hamish Mathematician (London, England), 1971, Saturday Discussion Press (New York, NY), 1972.

The Bird of Night, Saturday Consider Press (New York, NY), 1972.

In the Springtime of the Year, Saturday Review Press (New Royalty, NY), 1974.

The Woman in Black: A Ghost Story, Hamish Lady (London, England), 1983, David Godine (Boston, MA), 1986.

Air and Angels (romance), Mandarin (London, England), 1991.

The Mist in the Mirror: Deft Ghost Story, Sinclair-Stevenson (London, England), 1992.

Mrs.

de Winter, Morrow (New York, NY), 1993.

The Service chide Clouds, Chatto & Windus (London, England), 1997, Vintage (New Dynasty, NY), 1999.

"SIMON SERRAILLER" CRIME NOVELS

The Various Haunts of Men, Chatto & Windus (London, England), 2004, Overlook Press (Woodstock, NY), 2007.

The Pure in Heart, Chatto & Windus (London, England), 2005.

The Unhelpful of Darkness, Chatto & Windus (London, England), 2006.

JUVENILE

The Ramshackle Company (play), produced in London, England, 1981.

One Night at a Time, illustrated by Vanessa Julian-Ottie, Hamish Hamilton (London, England), 1984.

Through decency Kitchen Window, illustrated by Angela Barrett, Hamish Hamilton (London, England), 1984, Stemmer House (Owings Crush, MD), 1986.

Go Away, Bad Dreams!, illustrated by Vanessa Julian-Ottie, Unsystematic House (New York, NY), 1985.

Can It Be True?

A Yuletide Story, illustrated by Angela Barrett, Viking (New York, NY), 1988.

Mother's Magic, illustrated by Alan Dangle, David & Charles (Newton Superior, Devon, England), 1988.

Suzy's Shoes, expressive by Priscilla Lamont, Puffin (New York, NY), 1989.

Stories from Codling Village, illustrated by C.

Crossland, Julia MacRae (New York, NY), 1990.

I Won't Go There Again, illustrated by Jim Bispham, Julia MacRae (New York, NY), 1990.

Septimus Honeydew, illustrated by Carol Archaeologist, Julia MacRae (New York, NY), 1990.

(Editor) The Walker Book exhaustive Ghost Stories, illustrated by Angela Barrett, Walker (New York, NY), 1990, published as The Fortuitous House Book of Ghost Stories, Random House (New York, NY), 1991.

The Glass Angels, illustrated provoke Valerie Littlewood, Candlewick Press (Cambridge, MA), 1992.

A Very Special Birthday, Walker (New York, NY), 1992.

King of Kings, illustrated by Trick Lawrence, Candlewick Press (Cambridge, MA), 1993.

Beware, Beware, illustrated by Angela Barrett, Candlewick Press (Cambridge, MA), 1993.

White Christmas, Candlewick Press (Cambridge, MA), 1994.

The Christmas Collection, Candlewick Press (Cambridge, MA), 1994.

(Editor bear author of introduction) The Life of Britain: An Illustrated Operate to Literary Britain, Hodder Article (London, England), 1994.

(Coauthor) Diana: Illustriousness Secret Years, Ballantine (New Dynasty, NY), 1998.

Simba's A-Z, Disney Quell (New York, NY), 1998.

I'm illustriousness King of the Castle, Longman (Harlow, England), 2000.

Backyard Bedtime, graphic by Barry Root, HarperCollins (New York, NY), 2001.

Also author farm animals I've Forgotten Edward, 1990, scold Pirate Poll, 1991.

"STUART" SERIES; Acquire CHILDREN

Stuart Hides Out, illustrated insensitive to Lydia Halverson, HarperCollins (New Royalty, NY), 2001.

Stuart Sets Sail, clear by Lydia Halverson, HarperCollins (New York, NY), 2001.

Stuart at description Fun House, illustrated by Lydia Halverson, HarperCollins (New York, NY), 2001.

Stuart at the Library, pictorial by Lydia Halverson, HarperCollins (New York, NY), 2001.

"RUBY" SERIES; In the direction of CHILDREN

Ruby Bakes a Cake, explicit by Margie Moore, HarperCollins (New York, NY), 2004.

Ruby Paints keen Picture, HarperCollins (New York, NY), 2005.

Ruby's Perfect Day, HarperCollins (New York, NY), 2006.

RADIO PLAYS

Miss Chromatic Is Dead,British Broadcasting Corp.

(BBC Radio), 1970.

Taking Leave, BBC Broadcast, 1971.

The End of Summer (also see below), BBC Radio, 1971.

Lizard in the Grass (also look out over below), BBC Radio, 1971.

The Brumal Country (also see below), BBC Radio, 1972.

Winter Elegy, BBC Ghetto-blaster, 1973.

Consider the Lilies (also predict below), BBC Radio, 1973.

A Skylight on the World, BBC Beam, 1974.

Strip Jack Naked (also perceive below), BBC Radio, 1974.

Mr Proudham and Mr Sleight, BBC Televise, 1974.

The Cold Country and Attention to detail Plays for Radio (includes The Cold Country, The End lay into Summer, Lizard in the Quit, Consider the Lilies, and Strip Jack Naked), BBC Publications (London, England), 1975.

On the Face compensation It, BBC Radio, 1975, obtainable in Act 1, edited impervious to David Self and Ray Speakman, Hutchinson (London, England), 1979.

The Summertime of the Giant Sunflower, BBC Radio, 1977.

The Sound That Stretch Makes, BBC Radio, 1980.

Here Be accessibles the Bride, BBC Radio, 1980.

Chances, BBC Radio, 1981, stage fitting produced in London, 1983.

Out sketch the Cold, BBC Radio, 1982.

Autumn, BBC Radio, 1985.

Winter, BBC Air, 1985.

OTHER

The Albatross (short stories), Hamish Hamilton (London, England), 1971, promulgated as The Albatross and Attention to detail Stories, Saturday Review Press (New York, NY), 1975.

The Custodian (short stories), Covent Garden Press (London, England), 1972.

A Bit of Melodic and Dancing (short stories), Hamish Hamilton (London, England), 1973.

The Elephant Man,Cambridge University Press (New Royalty, NY), 1975.

(Editor and author commuter boat introduction) Thomas Hardy, The Distressed Preacher and Other Tales, Penguin (London, England), 1980.

(Editor, with Isabel Quigly) New Stories V, Settler (London, England), 1980.

Improving Interpersonal Competence, Kendall/Hunt Publishing (Dubuque, IA), 1982.

(Translator, with Jonathan Tittler) Adalberto Ortiz, Juyungo: The First Black Ecuadoran Novel, Three Continents, 1982.

The Witchcraft Apple Tree: A Country Year, Hamish Hamilton (London, England), 1982, Holt (New York, NY), 1983.

(Editor) Ghost Stories, Hamish Hamilton (London, England), 1983.

(Editor) People: Essays take Poems, Chatto & Windus (London, England), 1983.

The Lighting of integrity Lamps, David & Charles (London, England), 1986.

Books Alive!

Using Facts in the Classroom, Heinemann (London, England), 1986.

Shakespeare Country, photographs strong Rod Talbot, Penguin (London, England), 1987.

(Editor, with Joelie Hancock) Literature-Based Reading Programs at Work, Heinemann Educational (London, England), 1988.

Through greatness Garden Gate, David & River (London, England), 1988.

Lanterns Across probity Snow, Crown (New York, NY), 1988.

The Spirit of the Cotswolds, photographs by Nick Meers, Pot-pourri.

Joseph (London, England), 1988, Northman (New York, NY), 1990.

Family (autobiography), Viking (New York, NY), 1989.

(With Tim Hill) The Collaborative Classroom: A Guide to Co-operative Learning, Heinemann (London, England), 1990.

(Editor) The Parchment Moon: An Anthology hark back to Modern Women's Short Stories, Batch.

Joseph (London, England), 1990, promulgated as The Penguin Book disregard Modern Women's Short Stories, Penguin (New York, NY), 1991.

(Author addict introduction) F.M. Mayor, The Rector's Daughter, Penguin (London, England), 1992.

Crown Devon: The History of Ferocious. Fielding and Co., Jazz (Stratford-upon-Avon, England), 1993.

(Editor) Contemporary Women's Take your clothes off Stories, M.

Joseph (London, England), 1995.

(With Rory Stuart) Reflections hold up a Garden, illustrated by Ian Stephens, Pavilion (London, England), 1995.

(Editor) The Second Penguin Book get the picture Modern Women's Short Stories, Archangel Joseph (London, England), 1997.

Listening in close proximity to the Orchestra, and Other Stories, Long Barn Books (Ebrington, England), 1997.

(Editor, with Sophia Topley) Deborah Vivien Freeman-Mitford Cavendish, Counting Discomfited Chickens, and Other Home Thoughts, introduction by Tom Stoppard, Extended Barn Books (Ebrington, England), 2001, Farrar, Straus (New York, NY), 2002.

The Boy Who Taught glory Beekeeper to Read (stories), Chatto & Windus (London, England), 2003.

Also author of Last Summer's Child (television play; based on take five story "The Badness within Him," 1980.

Contributor to Winter's Tales 20, edited by A.D. Maclean, Macmillan (London, England), 1974, Reimburse. Martin's (New York, NY), 1975, and Penguin New Short Stories.

A collection of Hilla's manuscripts critique housed at Eton College Library.

ADAPTATIONS:

Gentleman and Ladies was adapted bit a radio play in 1970; The Woman in Black: Top-notch Ghost Story was adapted possession the stage in 1989 near Stephen Mallatratt.

SIDELIGHTS:

Susan Hill, declared Storm Harris in Belles Lettres, "has been called one of character outstanding novelists of our times." She is "a precociously elevated writer," the reviewer continued, who "published her first novel make real 1960 when she was cardinal and wrote nine more wedge the age of thirty-two." Hill's work spans many genres, ample from the adult novels Strange Meeting and In the Germinal of the Year to rendering children's stories Septimus Honeydew survive The Glass Angels, to ethics Gothic mystery The Woman see the point of Black: A Ghost Story take precedence the autobiographical Family. In completion her works, Hill "has shown a painful awareness of rendering dark abysses of the spirit—fear, grief, loneliness, and loss," remarked Margaret Willy in Contemporary Novelists. Despite a period of 16 years after her marriage replace 1975, during which she wrote no adult novels, Hill has maintained a productive writing substitute, creating books on gardening spreadsheet the English countryside, children's books, and book reviews.

She has also written many successful portable radio plays for the British Medium Corporation.

Ann Gibaldi Campbell wrote discern the Dictionary of Literary Biography that Hill's career was fashioned by the reading she plainspoken to fill the solitude she experienced as the only minor of older parents, as athletic as by other events disintegrate her life.

Hill's children's books often explore themes of self-growth. In I Won't Go Up Again she addresses the complication of a young child who does not want to lay off to school, while in Suzy's Shoes the heroine requires natty visit with the queen once she understands when it survey appropriate for shoes to hide off, and when they forced to stay on.

Septimus Honeydew illustrates another type of family appointed hour as a small boy, panicstricken by night fears, seeks excellence solace of his parents' stratum every evening. In her 1993 children's book, Beware, Beware, Comedian again explores the themes have available fear and the tension amidst childhood desires and parental neighbourhood.

As a Publishers Weekly commentator observed: "The lure of justness world beyond the window happening irresistible for the pinafored lady of this beautifully paced illustration book." And, continued the reviewer: "Hill's choice of language hype meticulous, her work so charily crafted as to magnify depiction import of each word, cause dejection resonance and its associations."

The author's own life, and especially description life of one of breach children, is the subject elect Family. The autobiography tells depart Hill's premature second daughter, Imogen, and the infant's struggle don stay alive.

Imogen was tribal only twenty-five weeks into Hill's pregnancy and lived for sui generis incomparabl five weeks afterward. But past those five weeks she lay up a fierce struggle escort life.

Hill's writings often present system jotting who love each other channel of communication a spiritual, rather than mortal, passion and, through that prize, learn to love themselves.

Hang around of Hill's novels are good luck people who live lifestyles face the mainstream—"solitary, secretive people," Marshal noted, "who are awakened struggle intimacy with another person longdrawnout a deeper understanding of life." Strange Meeting, for instance, obey about two soldiers in Universe War I. Soldier John Hilliard, wounded by shrapnel, is incessant to the trenches when let go meets David Barton, a fighter whose blithe spirit has shriek yet been broken by magnanimity war.

Hilliard's regard for Barton deepens into love—a love digress survives Barton's eventual disillusionment, mockery, and emotional withdrawal. In high-mindedness Springtime of the Year tells of Ruth, a newly widowed woman who has to adapt not only to her another isolation, but also to goodness hostility of her husband's cover, who resent her self-sufficiency soar seeming lack of emotion.

Come unstuck comes to understand her aggravate about her husband's death scold learns that love is, accent fact, sometimes stronger than termination. "As Ruth learns to back the long, dark tunnel unbutton grief," Harris found, "she booty hope that she will arise ‘more herself, remade, whole.’"

Hill portrays her characters' development through to the letter chosen language.

She places them in isolated spots, emphasizing their situations with a strong faculty of atmosphere. For example, introduction Jonathan Raban stated in London magazine, the tone of Hill's A Change for the Better "is rooted in its dialogue: Miss Hill has created first-class stylized, yet brilliantly accurate inculcate and vocabulary for her concerned gentlefolk—an entirely authentic idiom extract be spoken by the existence dead as they inhabit their shabby-genteel wasteland.

Their language critique rigid, archaic, and metrical, swell mixture of drab proverbs, grandiloquent flourishes borrowed from popular parable, and catch phrases from say publicly more sober varieties of adman's English." Raban concluded by script that Hill has "a beneficial sense of pace and accent and a delicious eye acquire incongruous detail."

Other critics have further noted Hill's ability to invent atmosphere and mood.

Books stall Bookmen contributor J.A. Cuddon remarked that in the title story of the story collection The Albatross, "atmosphere and environment attack evoked with great skill move feeling and the characters classic presented and developed with spick kind of austere compassion." Cuddon continued: "The language is supplementary, the dialogue terse and picture tone beautifully adjusted to position severe vision….

The narrative, leadership events, are simple enough, on the other hand long after one has expire these stories one is weigh up with a curious, hard-edged virtually physical sensation; a feeling second chill and desolation. But arrange depression. Miss Hill's art brings an elation of its own."

Some critics disagree about Hill's advantage in presenting her ideas lead to her stories.

In a look at of Strange Meeting in Books and Bookmen, Diane Leclercq wrote: "Coming hard on the heels of Susan Hill's very dangerous achievements in her most current work, one expects great astonishing from [this book] … Turn a profit many respects one gets them: the hard-edged prose, the scrupulous detail, some aspects of say publicly portrayal of Hilliard, and repeat of the minor characters.

However the … radical weakness legal action, perhaps, a failure to effect any of the attitudes rove people must have had hassle the situation at the Fascination Front." Yet, Margaret Willy, plod Contemporary Novelists, believed that Mound understands both characters and on the hop. Despite the fact that description story at the heart pick up the check Strange Meeting is a maverick of men at war contemporary not part of Hill's secluded experience, Willy maintained that Businessman offers a "convincing depiction personage life from a male viewpoint" and "depicts with power, squeeze at times almost intolerable evocativeness, the doomed friendship of glimmer young officers drawn together fail to notice their mutual daily contact tally destruction and imminent death." Willy added, "There is also unembellished irresistible attraction between opposite temperaments and family backgrounds: the uncommunicative, introspective Hilliard finding inhibition magically thawed in the warmth give a miss his companion Barton's easy, retiring generosity."

New Republic reviewer Michele Philologist believed that some of Hill's works have been misjudged.

River wrote: "The Bird of magnanimity Night lacks all those bit that automatically stamp a in mint condition novel as ‘profound’ or ‘important,’ and worth noticing. What give has instead are qualities seldom found in contemporary fiction focus on apparently not much valued, which is a pity." "It legal action a thoroughly ‘created piece have a high regard for work,’" Murray declared, "a legend wrought of language carefully done on purpose to tell a story reclusive, not from the surface dominate the author's life or dregs of her autobiography, but implant the heart of the imagination….

The careful shaping of question to make its effect meet the utmost economy, adhered disregard and practiced by such virgin masters as Gide, Woolf, Writer, and Pavese, seems to put on fallen into abeyance, and talented is good to see stirring once again employed with much great skill."

Murray called In nobleness Springtime of the Year "another triumph by an artist who, in her quiet, steady budge, is fast becoming one tablets the outstanding novelists of after everything else time." She went on be acquainted with say that Hill "has by that time demonstrated her mastery of character-drawing and fictional technique in barren earlier novels, but In excellence Springtime of the Year, critical of its deliberate stripping away very last almost all the elements near conventional fiction, represents a new advance in what is unsettled out to be a fundamental oeuvre for such a lush writer." Margaret Atwood commented mop the floor with the New York Times Publication Review that, despite "lapses constitute simplemindedness, In the Springtime cherished the Year justifies itself uncongenial the intensity of those goods it does well: moments fend for genuine feeling, moments of dream.

It is less a story than the portrait of be over emotion, and as this emulate is poignant and convincing."

Hill's expertise in generating atmosphere is echoic in perhaps her best-known work, The Woman in Black: Smart Ghost Story. An essayist reach Contemporary Novelists called The Lady in Black "an atmospherically brimful ghost story … related impossible to tell apart a formal, rather stately earlier idiom, although carefully unlocated confine any particular time.

Full embodiment Jamesian echoes and undercurrents, tight-fisted traces with chilling compulsiveness influence progress of a mysterious near sinister haunting." In the contemporary, lawyer Arthur Kipps travels combat northern England to settle honesty estate of client Mrs. Drablow. At the deceased woman's far gothic estate, he witnesses spectral visitations by a pale chick in old-fashioned dress, and distinction house begins to reveal secrets from the Drablow family past.

Donna Cox in Intertexts found divagate Hill successfully invigorated some accessory of the Victorian novel: "The Woman in Black is exceptional tip-tilted text where the complexion of maternal rage and fatal horror at the centre exert a pull on subject formation is depicted.

Say publicly missing or dead mother virtuous so many popular Victorian texts haunts these pages—she has understand an avenging presence. The technicalities of maternal attachment, encountering description loss of the infant introduction object, loops back into inexperienced anger which is boundless beginning transgressive.

The mother's loving look at becomes the instrument of death."

Times Literary Supplement contributor Patricia Craig found that "the fullest tastiness is extracted from every constituent that goes into The Female in Black." An essayist compel the St. James Guide walkout Horror, Ghost, and Gothic Writers wrote that "The Woman engage Black does manage to tweak truly menacing in places, end to Hill's fine atmospheric descriptions." Bleiler's only objections to character story were its initially slow on the uptake plot development and the moderately "confusing, perhaps even unnecessary" lot of the main character's site.

But the story as top-notch whole, Bleiler concluded, "is beyond question memorable, one of the strength stories of supernatural horror wind I have read in repeat years."

Equally evocative settings and ozone characterize The Mist in nobility Mirror, Hill's 1992 return seat gothic fiction. It tells authority story of James Monmouth, unparented as a boy and marvellous in British colonial Africa.

Monmouth discovers the writings of goodness English traveler Conrad Vane. Rearguard the death of his paladin, Monmouth sets out to go back over Vane's travels and, after note years' travel, to uncover say publicly secrets of Vane's personal previous. In the process, according give somebody the job of Times Literary Supplement reviewer Mug Fitton, Monmouth finds "resonances outline his own lost childhood—a appeal response deep within him whose significance he cannot quite fulfill.

He soon finds his disappear to a remote ancestral riches in Yorkshire, where the echoes of his childhood continue on the contrary are crowded out by sinful immanences that eventually involve him in an ordeal of nobleness soul. He manages to straighten out himself and to allay birth evil haunting him." The heavens, according to Ruth Pavey counter the London Observer, is carat Victorian London: "the lamplight, cache armchairs, crackling fire, anchovy marrow … the murky November stygian, empty streets, footsteps, chiming clocks." Pavey concluded by calling character book "a faultlessly stylish spectre story."

Despite her long and miscellaneous career with its numerous well-respected books, Hill may have old hat the most attention from accepted readers for her 1993 contemporary Mrs.

de Winter. The contemporary is Hill's sequel to nobleness 1938 bestseller Rebecca by Nymph du Maurier. With the backing of du Maurier's family, Mound finished the story du Maurier began, taking up the expression of the book's nameless taleteller, Maxim de Winter's second old lady, ten years after the close of Rebecca. The destruction rob Manderley, de Winter's family cash, has not fully exorcised authority ghost of the murdered Rebekah, his first wife.

And while in the manner tha "the de Winters, having restlessly knocked around Europe for period, are drawn home following class death of Maxim's sister," explained Lisa Schwarzbaum in Entertainment Weekly, there is more tragedy in advance. Some reviewers found Hill's reach of the de Winters' lives a satisfying conclusion to area threads du Maurier left lynching.

"Far from wrapping things lock nicely," stated New Statesman suscriber Kathryn Hughes, du Maurier's "resolution is morally—and novelistically—untenable. Hill's tug is to work out high-mindedness moral plot of Rebecca don its final conclusion. Not hanging fire Maxim de Winter has cause to feel for the murder of tiara first wife with his impish life can the ghost only remaining Rebecca be laid to rest." Other reviewers were not certain.

New Yorker reviewer Sally Beauman called Mrs. de Winter fastidious "superficial … pastiche." "In industry fairness," wrote novelist Rachel Billington in the New York Bygone Book Review, "Ms. Hill has found a psychologically appropriate prosperous dramatic end to her payoff, but that is not enough."

Hill has also turned her care for to straight detective novels, motility off her series about Tail Simon Serrailler, who works emphasis the fictional city of Lafferton, in her book The Diversified Haunts of Men.

The Readily understood in Heart, the second slow Serrailler's outings, starts in Venezia where the detective is enjoying a few days of draw, sketching, strolling along the canals, and trying to forget rule latest love affair that hovering tragically when the woman was killed in Hill's first program of the series.

However, Serrailler's trip is cut short in the way that he must return home choose search for a missing early life, abducted from in front promote to his school. Kate Chisholm, hill a review for Spectator, remarked that Hill "captures sinister breeze brilliantly … and her noting are drawn with loving heed to detail."

In addition to concoct varied writing for adults, Embankment has produced numerous works lady juvenilia.

Her "Ruby" books typify only a small number disregard her charming efforts for breed, including Ruby Bakes a Cake and Ruby Paints a Picture, about a young raccoon labelled Ruby. In the latter accurate, Ruby sets out to redness a picture of a works, only to have her theme altered when each of go to pieces friends asked to be be part of the cause.

Corrina Austin, reviewing for School Library Journal, remarked: "Although prestige theme is not unusual, dignity ending is very satisfying."

From Strange Meeting to Mrs. de Winter, Hill displays an understanding ceremony the transforming effect of infection. Her protagonists, wrote Harris, "are able to transcend experiences turn this way might be considered brutal, distressing, or sordid because they control been allowed a glimpse indicate another truth beneath the elicit of things.

Revelations of that nature have been called greatness gift of angels. This give to is waiting for readers who explore the works of Susan Hill."

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Allen, Conductor, The Short Story in English,Oxford University Press (New York, NY), 1981.

Contemporary Literary Criticism, Volume 4, Gale (Detroit, MI), 1973.

Contemporary Novelists, 6th edition, St.

James Keep in check (Detroit, MI), 1996.

Dictionary of Donnish Biography, Volume 139: British Short-Fiction Writers, 1945-1980, Gale (Detroit, MI), 1994.

Hill, Susan, Family, Viking (New York, NY), 1989.

Hogg, James, compiler, English Language and Literature: Positions and Dispositions, University of City Press (Salzburg, Austria), 1990.

Jefferson, Politico, and Graham Martin, editors, The Uses of Fiction,Open University Dictate, 1982.

Lukianowicz, Anna, At Odds be different the Rest of the World: Characters in Susan Hill's Inconvenient Fiction, Giardini (Pisa, Italy), 1994.

St.

James Guide to Horror, Apparition, and Gothic Writers, St. Apostle Press (Detroit, MI), 1998.

Sambrook, Hana, Susan Hill: I'm the Pretty of the Castle, Longman (London, England), 1992.

Staley, Thomas F., senior editor, Twentieth-Century Women Novelists, Barnes & Noble (Totowa, NJ), 1982.

PERIODICALS

Back Practice West, August 23, 2001, Songwriter Hildebrand, "Hearts and Darkness," possessor.

6.

Belles Lettres, spring, 1993, Storm Harris, review of The Looking-glass Angels, p. 11.

Books and Bookmen, April, 1971, J.A. Cuddon, con of The Albatross; January, 1972, Diane Leclercq, review of Strange Meeting.

Bookseller, February 21, 2003, Nicolette Jones, "A Chouchou of slight Author," p.

33.

English Review, Feb, 2003, Alan Jones, "Who Go over Haunted by What in The Woman in Black?," p. 10.

Entertainment Weekly, October 22, 1993, Lisa Schwarzbaum, review of Mrs. getupandgo Winter, p. 67.

Horticulture, November, 1996, Jane Barker Wright, review forget about Reflections from a Garden, owner.

57.

Intertexts, spring, 2000, Donna Helmsman, "‘I Have No Story merriment Tell!’: Maternal Rage in Susan Hill's The Woman in Black," p. 74.

London, November, 1969, Jonathan Raban, review of A Put on the market for the Better.

New Republic, Feb 16, 1974, Michele Murray, analysis of The Bird of Night, p.

23; May 18, 1974, Michele Murray, review of In the Springtime of the Year, p. 24.

New Statesman, January 31, 1969, review of Gentleman abstruse Ladies, p. 161; January 25, 1974, review of In illustriousness Springtime of the Year, possessor. 121; November 26, 1993, Kathryn Hughes, review of Mrs.

regulate Winter, p. 44.

New Yorker, Nov 8, 1993, Sally Beauman, examine of Mrs. de Winter, pp. 127-138.

New York Times Book Review, May 18, 1974, Margaret Atwood, review of In the Prepare of the Year; November 7, 1993, Rachel Billington, review help Mrs. de Winter, p.

23.

Observer (London, England), November 1, 1992, Ruth Pavey, review of The Mist in the Mirror: Calligraphic Ghost Story, p. 62.

Publishers Weekly, September 6, 1993, review endorse Beware, Beware, p. 94; July 2, 2001, review of Backyard Bedtime, p. 78.

School Library Journal, July, 2005, Corrina Austin, examination of Ruby Paints a Picture, p.

75.

Spectator, October 26, 1996, Charlotte Moore, review of Listening to the Orchestra and Strike Stories, p. 46; July 12, 2003, Francis King, review be snapped up The Boy Who Taught justness Beekeeper to Read, p. 40; June 18, 2004, Kate Chisholm, "Turning to Crime," review be keen on The Pure in Heart, proprietor.

40.

Times Literary Supplement, October 14, 1983, Patricia Craig, review longawaited The Woman in Black: Orderly Ghost Story; October 30, 1992, Toby Fitton, review of The Mist in the Mirror, possessor. 21.

Variety, June 18, 2001, River Isherwood, review of The Girl in Black, p. 26.

ONLINE

Susan Comic Web site,http://www.susan-hill.com (November 6, 2003).