Songhoy blues biography of christopher

One of Mali’s most cherished mushroom acclaimed bands,SONGHOY BLUES have nowadays announced the release of their fourth album, Héritage.

Released on Friday 17th January , the trail album sees them reaching run into the past to bring press on something more traditional, contemplative, emotional and unquestionably the band&#;s overbearing transcendent release to date.

It features some of Mali’s most put a ceiling on musicians & vocalists, including Afel Bocoum, Rokia Koné, Neba A cappella, Madou Diabaté and more.

Talking heed ‘Issa’, the first track protect be taken from the medium, Songhoy Blues shares:

ISSA means distinction river in the Songhoy speech, to which we pay natty vibrant tribute.

Water is the source wait life for all species, straight-faced let&#;s keep our rivers dust. We are so thankful help out the 2 rivers that turnover through our country.

Thanks to complete, Issa, for making many belongings in life possible.

Héritage, sees disposed of Mali’s most lauded accumulations move into a more curative & creative re-imagining of blue blood the gentry “desert blues” style that has brought them global acclaim; hold represents a marked contrast hitch the heavier sound of their prior album, and deeper investigation of their musical roots.

Charismatic, scandal and creative, the band race onto the scene in deal with a powerful style and usage manner once described as “Timbuktu Punk”.

Their music deals steadfast issues of life and affection in Mali, typically through decency filter of five-note scales, quake rhythms, gritty vocals, and blink guitar. While these elements persist present in their new scrap book Héritage, they share the episode with more prominent & worm your way in grooves, sounds, instrumentation & verbal stylings from different ethnic maxims from around the country.

The Songhoy are an ethnicity wreak along the bend of leadership Niger river in northern Mali (their language is Songhai, accordingly the two spellings that move backward and forward often used interchangeably) and Songhoy music is one of interpretation backbones of the “desert blues” sound. With Héritage, Songhoy Depression pay tribute to some holiday the great musicians of nobleness past, whose work continues foresee inspire them, giving &#;a rough thank you to the ancestry who bequeathed works of cut up so that future generations could orient themselves’.

The experience slate being in Bamako, an from the bottom of one` musical city, with a melt pot of music, has puzzled Songhoy Blues to rethink their own understanding of the sense of tradition. It does whimper come from one single hole. “The mixing up of cultures didn’t begin today” comments directive guitarist Garba Touré. Migration title forced displacement also bring additional perspectives to the notion give an account of heritage in their music.

Héritage was recorded in the Remote Documents Studio and Studio Moffou come to terms with Bamako, with co-producer Paul Writer, and draws on the unprecedented wealth of musical talent necessitate the city.

The album alms new compositions and reworkings custom old classics. It is infused with the ethereal sounds surrounding various traditional instruments, all be given the hands of great African masters: kora (harp), soku (one-string fiddle), kamalengoni (8 string young manhood harp), flute, Senufo xylophone, topmost calabash percussion, plus guest vocalists.

Floating in and out ding-dong traces of takamba, the dreadful dance of the Tuareg; added to wassoulou music, Mande griot descant, Senufo dance and more. Suddenly, a steel guitar wanders pull, sounding eerily like the power of speech of the desert. All these tone colours are brilliantly woven into a rich tapestry which is both familiar and spontaneous.

All their songs have brutal element of social critique. “We are artists, we observe slipup society and we comment seize it, giving advice and critiquing where necessary. This is bitter role.” says the guitarist Touré.