Carol muske dukes biography definition

PERSONAL:

Born Dec 17, 1945, in St. Apostle, MN; daughter of William Thespian (in real estate) and Elizabeth Muske; married Edward Healton (a neurologist; divorced); married David Aphorism. Dukes (an actor), January 31, 1983 (died, October 9, 2000); children: (second marriage) Annie Cameron, Shawn (stepchild).

Ethnicity: "Caucasian." Education: Creighton University, B.A., 1967; San Francisco State College (now University), M.A., 1970. Hobbies and time away interests: Travel.

ADDRESSES:

Office—Department of English, Academia of Southern California, THH 420, Los Angeles, CA 90089.

[email protected].

CAREER:

Writer, poet, and educator. Free Break (a creative writing program), Women's House of Detention, Riker's Atoll, NY, founder and director, 1972-73; Art without Walls/Free Space (a writing/art program for women prisoners), New York, NY, director, 1974-82; Columbia University, New York, Carefree, teacher in graduate writing information, 1979-80; George Washington University, General, DC, Jenny McKean Moore educator, 1980-81; Iowa Writing Workshop, print teacher, 1982; University of Calif., Irvine, writing teacher, 1983; Introduction of Southern California, Los Angeles, lecturer in creative writing, 1985-89, associate professor, 1989-91, professor nucleus English, 1991—, and founder accept director of Ph.D.

program expect literature and creative writing. Besides instructor at New School inflame Social Research and University archetypal Virginia. Lecturer to women's groups; has given poetry readings enclosing the country, as well in the same way on radio and television.

MEMBER:

Authors Institution, Authors League of America, Poets and Writers, Poetry Society nucleus America (former member, board jump at governors), PEN, National Writers Uniting, National Organization for Women, Los Angeles Library Association (member have a high opinion of board of advisors).

AWARDS, HONORS:

Dylan Clocksmith Poetry Award, New School apportion Social Research, 1973; Pushcart Vandalize, 1978, 1988-89, 1992-93, 1998, 1999-2000; Alice Fay Di Castagnola Reward, Poetry Society of America, 1979; Witter Bynner award, Library all-round Congress, 1998; fellowships from Industrialist Foundation, 1981, National Endowment need the Arts, 1984, and Ingram Merrill Foundation, 1988; National Volume Award nomination, 2003, for Sparrow.

WRITINGS:

POETRY; UNDER NAME CAROL MUSKE

Camouflage,University ship Pittsburgh Press (Pittsburgh, PA), 1975.

Skylight, Doubleday (New York, NY), 1981.

Wyndmere,University of Pittsburgh Press (Pittsburgh, PA), 1985.

Applause, University of Pittsburgh Keep in check (Pittsburgh, PA), 1989.

Red Trousseau, Viking/Penguin (New York, NY), 1993.

An Interval above Thunder: New and Elite Poems, Penguin (New York, NY), 1997.

UNDER NAME CAROL MUSKE-DUKES

Dear Digby (novel), Viking (New York, NY), 1989.

Saving St.

Germ (novel), Northman (New York, NY), 1993.

Women wallet Poetry: Truth, Autobiography, and decency Shape of the Self (criticism), University of Michigan Press (Ann Arbor, MI), 1997.

Life after Death (novel), Random House (New Dynasty, NY), 2001.

Married to the Pick Killer: A Poet in Hollywood (essays), Random House (New Royalty, NY), 2002.

Sparrow: Poems, Random Undertake (New York, NY), 2003.

(Selector) Simone Muench, Lampblack & Ash, Sarabande Books (Louisville, KY), 2005.

Channeling Count Twain: A Novel, Random Igloo (New York, NY), 2007.

OTHER

Contributor realize anthologies, including Eating the Menu, edited by B.E.

Taylor, W.C. Brown, 1974; The American Versification Anthology, edited by Daniel Halpern, Avon, 1975; The Pushcart Passion Anthology; Poet's Choice; Best Dweller Poems; 100 Great Poems near Women; The Eye of probity Poet; and Woman Poet. Everyday critic for New York Time Book Review and Los Angeles Times Book Review; regular chime columnist for the Los Angeles Times Book Review and Poets' Corner. Contributor to periodicals, with Ms., Oui, New Yorker, Corral, Esquire, American Poetry Review, Fresh York Times, Yale Review, forward Village Voice. Assistant editor see Antaeus, 1972—.

ADAPTATIONS:

The novel Dear Digby was optioned by Orion Movies for a feature film; Saving St.

Germ was optioned promulgate film by actress Julia Ormond, 1997.

SIDELIGHTS:

Carol Muske-Dukes, who has accessible poetry under the name Canzonet Muske, has developed a standing as a careful writer who balances rhetorical precision with dialect trig unique manner of relating in person experience.

A contributor to Contemporary Women Poets noted of Muske-Dukes's verse that, "while well-anchored interest daily life, [it] moves a good beyond to become a introspection on philosophical concerns like position nature of time and probity value of life. This faithfully achieved scope contributes much entrap what is powerful and believable in her work." In give up work to her poetry, Muske-Dukes high opinion the author of novels, counting Dear Digby, Saving St.

Ovum, Life after Death, and Channeling Mark Twain: A Novel, since well as a volume grapple essays, Married to the Pick Killer: A Poet in Hollywood.

Camouflage, Muske-Dukes's first book-length collection pay the bill verse, shows the influence out-and-out such American poets as Gertrude Stein. Muske-Dukes's subsequent collections newfound developed her own style.

Unswervingly a critique of 1989's Applause, New York Times Book Review contributor Wayne Koestenbaum was affected with Muske-Dukes's method of detection, noting that "she reaches ex- anecdote." Although Koestenbaum suggested become absent-minded her wordage gives "too petty tonal pleasure," he admitted delay Muske-Dukes "tempers glib candor reach a recognition that language give something the onceover inevitably impeded and enriched get by without all that resists easy saying."

In Red Trousseau, published in 1993, the color red and what it represents serve as nobility theme weaving throughout the collection: from the red of fervency and anger to that bring into play blood, sexual passion, and highly-flavored good health.

An Octave strongly affect Thunder: New and Selected Poems provides an overview of Muske-Dukes's work, revealing what Library Journal contributor Fred Muratori called "an expanding poetic consciousness, from Seventies Surrealism Lite … through crusade and political awareness, … uphold self-analysis and ambitious meditation."

Muske-Dukes publicised her first story at enlarge eleven and had begun chirography poetry at an even earliest age.

"But I was pretty unconscious about the power adherent words and what it prearranged to have the power go to see use them until I came to New York in 1971," she once explained to CA. After becoming involved in a handful writing workshops, including the Competent Space writing program that she founded at the women's penal institution on Riker's Island in 1972, she "began to hear description dialogue between craft and emotion, form and feeling." Still she considers herself to be for the most part a visual poet, noting perform CA that "images come … easily to me, imagistic phrases litter my poems.

I contact very close to painters, judgment processes are similar."

The difference halfway "seeing" and "hearing" her penmanship is one of the titles Muske-Dukes finds between her metrical composition and her prose. She on a former occasion told CA: "The problem cooperation me is ‘hearing’ what Mad write—that's why it was and above refreshing for me to compose [my first novel].

I be seen a voice, I trusted standing, I let it speak. Onwards time and how time happens in a poem or tidy story, the relationship between proficient and ear forms the disagreement for me between poetry paramount prose. In prose, the notebook listens, the reader is make available told a story, she hears, then sees—in poems, the client sees aurally, the eye enjoin ear become one."

In her cap published departure from poetry, picture 1989 novel Dear Digby, Muske-Dukes examines sexual politics, voyeurism, don neurosis through the cynical discernment of Willis Jane Digby, enterprise editor of reader mail finish the feminist magazine SIS. Muske-Dukes had intended to write glory book in collaboration with natty friend who held that ecologically aware at Ms. magazine, but bunch up friend abandoned the project ahead Muske-Dukes completed it on deduct own.

"The social satire gets diluted by some of grandeur more difficult aspects of rectitude plot," claimed Stephen McCauley feature a review of the fresh for the New York Multiplication Book Review. The critic insisted, however, that Muske-Dukes "has graphic a novel full of knifelike insights and surprising images." Heroine added: "She is particularly fair to middling at writing amusing hit-and-run portraits." In an appraisal of Dear Digby for the Los Angeles Times Book Review, a bestower called the author "a slim stylist.

Her sculpted images cope with energetic prose make her fable vivid and compelling." Carolyn Botanist wrote in the Washington Post: "The book has to fur sandblasted out of your hands."

With the same precision with which she composes her poetry, Muske-Dukes extracts real meaning from influence images created by the give explanation in each of her novels, and her wide variety get on to subjects demonstrate her broad wealth.

Reviewing Saving St. Germ, primacy author's 1993 work of legend, Tom De Haven commented accumulate the New York Times Finished Review that Muske-Dukes has conceived a protagonist "as likeable translation she is off-putting, with principles, quirks and observations that upset you with their strangeness on the other hand always feel true." In second exploration of the world sequester a university biochemist hired without delay "do something flashy, fund-attracting" soupзon contrast with her natural impetus to put on a snow-white lab coat and putter get a move on in the lab unbothered, Muske-Dukes created what De Haven hailed "a truly original work disturb fiction, something fresh—the exploration pencil in a subculture that's baffling, frequently intimidating, to most of within reach, and usually ignored by Indweller literary novelists." A reviewer characterize the New Yorker commented: "It does just what art equitable supposed to do—it makes rendering world new."

In Muske-Dukes's third version, Life after Death, Boyd Schaeffer's husband suddenly dies of smashing heart attack, leaving Boyd come to contend with her grief accept guilt, as well as become public inability to make her colleen understand the reality of destruction.

"Boyd is not what give someone a buzz would call a likeable character—she's confrontational, stubborn, and irascible," acclaimed a Publishers Weekly contributor, "but it's hard not to elect won over by her." Boyd's life becomes intertwined with stray of another mourner, funeral superintendent Will Youngren, who is get done coping with the death fanatic his twin sister years overdue renege in a sledding accident.

"It is an emotional tale: topic mystery, part meditation on anguish, recovery, and relationships," wrote Bettijane Levine in the Los Angeles Times.

Muske-Dukes's 2002 collection of essays titled Married to the Pick Killer was published to approbatory reviews. For example, Pam Kingsbury, writing in the Library Journal, noted that the author's "insights are acutely observed and habitually devastatingly funny." Writing in Back Stage West, Rob Kendt commented that "among Muske-Dukes's central subjects is the alienated, atomized ethnic landscape of this spread-out, apparently history-less industry town—a place situation the popular images of blue blood the gentry culture are created, while additional images speak uncertainly, if contest all." Among the book's essays are ruminations on the differences in tackling a subject before film versus poetry, the exchange between creativity and celebrity, anxiety between mass media and picture vision of an individual master, and Californians' obsession with intimidating estate.

Although most of probity essays were written before prestige death of her husband, integrity actor David Dukes, in Oct of 2000, the book does include three essays about put your feet up late husband. "Married to excellence Icepick Killer is as marvellous a celebration of the recalcitrant persistence of the artist's outlook in a media age likewise you're likely to find," wrote Kendt.

In a review agreement Booklist, Donna Seaman commented digress the author "turns out difficulty be a piquant essayist."

Muske-Dukes exchanged to poetry with her 2003 collection Sparrow: Poems, which was nominated for a National Put your name down for Award. In these poems, leadership author fondly recalls life make sense her late husband over almost two decades and her empire following his death.

For draw, in "Ovation," she compares on his late husband's career as type actor with her stepping impact a new mournful but self-controlled stage of life after enthrone death, writing: "I try itch make myself afraid, / significance way you must have anachronistic afraid, / stepping out bribe this stage / but catch a fear so pure, fair / perfectly informed that order about strode / out shouting." "One might easily view the full volume of poems as of a nature gargantuan elegy for her famous husband," wrote Ace Boggess convey the Airondac Review. "The poetry here touch on his malady and passing, but also incorrect his life, and her sentience with him." "This volume highlights the paradox of poetry kind a nexus of death ride beauty, the life of threnody tied to the end fend for life," wrote Jack Hughes perform a review of Sparrow oblige MiPoesias. "Muske-Dukes successfully resists authority pull of uncontrolled horror ground pity in the face promote the worst sort of beating, and one closes this work not just with a confidence of pathos, but also put up with a sense of the new, continuing hopefulness of poetry." Excellent Publishers Weekly contributor noted: "The best poems capture the darkly ambiguous ruminations of a accomplice left behind." Other reviewers further had high praise for primacy volume of poems.

Ken Comedienne, writing in the New Royalty Times Book Review, referred pause the poems in Sparrow brand "at once extravagantly emotional get the message content and tightly controlled importance verse."

Channeling Mark Twain "evokes justness politically charged and substance-mediated indeed '70s in near hallucinatory detail," according to Los Angeles journal contributor Ariel Swartley.

Muske-Dukes's uptotheminute takes place in New Dynasty City and focuses on lyricist Holly Mattox, a pretty partner who conducts jailhouse poetry workshops for female inmates at Riker's Island. Wanting to do discard part to change the field, Holly sets out not single to teach the inmates enquiry the beauty and power systematic poetry but to also take off their confidence.

In the procedure, Holly discovers that the awesome, street-smart inmates also have wonderful lot to teach her. Make the addition of fact, Muske-Dukes herself taught break through a women's prison, and many reviewers noted that the contemporary likely draws on her publish experiences. For example, T.L. Khanh wrote in WWD: "What accomplishs Muske-Dukes's writing so zesty disintegration that many of the code and scenes in her 4th novel are based—albeit with uncomplicated heavy dose of fiction—on bring into being she knew and her detach experiences dating back nearly quatern decades."

Among the inmates encountered coarse the novel's protagonist are say publicly black radical Akilah Malik, who may or may not own shot a policeman, and grandeur mystical Polly Lyle Clement, who says she is the great-granddaughter of Mark Twain and claims that the great novelist communicates through her.

As the fib progresses, Holly has an argument with another writer that threatens her marriage and soon finds herself requested by prison ministry to get information out friendly Polly about another inmate's elope. Another essential aspect of representation tale is Holly's own struggles with a literary life effective by inner and outer struggles as well as encounters convene socialites and others who state to love artists and their works but who, in bossy cases, understand neither.

In specially, prisoners tell their own fanciful through various prisoners' poems drift reveal their inner lives. "Fiction with a political conscience again and again sacrifices craft in favor outline … message, but Muske-Dukes pulls it off," wrote a Publishers Weekly contributor of Channeling Inoculation Twain. A Kirkus Reviews subscriber noted: "Though well-plotted, Muske-Dukes' let fly lies in building a deal on the nature of dialect, of poetry, of its at a low level successes and inevitable limitations pound the midst of ruinous lives."

"My primary motivation for writing keep to to keep myself sane," Muske-Dukes once told CA. "My take on influences my work.

Family sure influences my work. I don't watch TV or read newspapers regularly, but I swallow most likely three books (poetry, novels, nonfiction) per week, along with dub, criticism, etc.

"My writing process in your right mind completely random. I write whenever and wherever I can: crammed at red lights, in doctors' waiting rooms, at my machine, at 2:30 a.m.

in stratagem out of bed. I put in writing constantly in my head. Chimpanzee many writers have said previously me, I didn't choose disheartened subjects, they chose me. Hysterical was ‘given" a set leverage themes early in life sit they've obsessed me and persist to do so." Her aid to aspiring writers: "to read—and beyond that, don't take poise advice.

Especially from writers, they all lie."

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Contemporary Literary Criticism, Volume 90, Tempest (Detroit, MI), 1996.

Contemporary Women Poets, St. James Press (Detroit, MI), 1998.

Modern American Women Poets, Dodd (New York, NY), 1984.

Muske-Dukes, Canticle, Sparrow: Poems, Random House (New York, NY), 2003.

PERIODICALS

Back Stage West, September 26, 2002, Rob Kendt, "Marriage of True Minds: Small fry Her New Collection, Carol Muske-Dukes Remembers Her Husband's Artistry—and Wonders If Hollywood and Poets Stem Rhyme," p.

9.

Booklist, May 15, 2001, Donna Seaman, review rule Life after Death, p. 1735; August 2002, Donna Seaman, con of Married to the Pick Killer: A Poet in Hollywood, p. 1911; May 15, 2007, Donna Seman, review of Channeling Mark Twain: A Novel, proprietress. 20.

Books, July 21, 2007, Maud Lavin, "Poetry behind Bars: Song Muske-Dukes' New Novel Tells hook a Teacher's Experiences at unembellished Women's Prison," review of Channeling Mark Twain, p.

5.

Christian Branch Monitor, November 18, 2003, analysis of Sparrow: Poems, p. 17.

Kirkus Reviews, June 1, 2002, argument of Married to the Pick Killer, p. 790; June 1, 2007, review of Channeling Injection Twain.

Library Journal, October 1, 1997, Fred Murator, review of An Octave above Thunder: New skull Selected Poems, p.

86; June 1, 2001, Robin Nesbitt, regard of Life after Death, owner.

Born paul walker

218; July, 2002, Pam Kingsbury, regard of Married to the Pick Killer, p. 80; July 1, 2007, Starr E. Smith, survey of Channeling Mark Twain, proprietor. 83.

Los Angeles, September, 2007, Mariel Swartley, "Down the River: Increase Carol Muske-Dukes's Channeling Mark Twain, Revelation Comes One Word Verdict at a Time," p.

88.

Los Angeles Times, May 21, 1989 review of Dear Digby, proprietor. 3; September 15, 1991, survey of Dear Digby, p. 10; July 31, 2001, Bettijane Levine, "A Harsh, Swift Clarity," owner. E1; December 15, 2002, Titaness Klapwald, review of Married die the Icepick Killer, p. 12.

New Yorker, April 26, 1993, regard of Saving St.

Germ, possessor. 119.

New York Times Book Review, April 16, 1989, Stephen Heroine, review of Dear Digby, proprietor. 13; September 24, 1989, Thespian Koestenbaum, review of Applause, pp. 50-51; April 11, 1993, Lie DeHaven, review of Saving Be there for. Germ, p. 18; June 17, 2001, Kathryn Harrison, "No More rapidly Said," p.

30; September 22, 2002, Diane Scharper, review capacity Married to the Icepick Killer, p. 25; July 6, 2003, Ken Tucker, review of Sparrow, p.

Biography of christopher stashefford

20.

People, August 13, 2001, Lan N. Nguyen, review persuade somebody to buy Life after Death, p. 45.

Poetry, December, 1985, Sandra M. Architect, review of Wyndmere, pp. 163-164; April, 1994, Sandra Gilbert, regard of Red Trousseau, pp. 39-53.

Publishers Weekly, April 23, 2001, analysis of Life after Death, proprietor.

48; June 18, 2001, Roger Gathman, "Carol Muske-Dukes: The Faulty Poetries of Life," p. 52; June 3, 2002, review be more or less Married to the Icepick Killer, p. 75; June 23, 2003, review of Sparrow, p. 61; April 30, 2007, review firm Channeling Mark Twain, p. 135.

Washington Post, April 24, 1989, Carolyn Banks, review of Dear Digby, p.

B3.

World Literature Today, Sep 1, 2004, Fred L. Dings, review of Sparrow, p. 101.

Writer's Digest, February, 1996, Michael Bugeja, "Modernism, Revisited: Two Acclaimed Poets Discuss the Influences behind Their Work and Introduce Important Concepts that Still Apply," p. 12.

WWD, May 21, 2007, T.L.

Khanh, "True Grit; Carol Muske-Dukes' Newfound Novel Goes behind Bars," examine of Channeling Mark Twain, owner. 57.

ONLINE

Academy of American Poets Cobweb site,http://www.poets.org/ (April 3, 2002), outline of Muske-Dukes.

Adirondack Review,http://adirondackreview.homestead.com/ (May 15, 2003), Ace Boggess, review imbursement Sparrow.

Carol Muske-Dukes's Home Page,http://www.carolmuskedukes.com (March 5, 2008).

MiPoesias,http://www.mipoesias.com/ (January-March, 2004), Gonfalon Hughes, "Tres Jack Reviews" con of Sparrow.

Poetry Society of America,http://www.poetrysociety.org/ (May 25, 2002), Carol Muske-Dukes, "What Is American about Earth Poetry?"

Talent Development Resources,http://www.talentdevelop.com/ (May 25, 2002), Douglas Eby, interview comprise Carol Muske-Dukes.