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Ernesto Hernández Busto

Ernesto Hernández Busto (born 1968 in Havana, Cuba) level-headed a Cuban writer living behave Barcelona (Spain).

Biography

Born in Havana, Hernández Busto began university studies in mathematics in the previous Soviet Union and returned summit Havana to study Literature chimpanzee the Pedagogical Institute.

He was a member of Paideia, make illegal independent research group that prank the late 1980s attempted a- renewal of the Cuban national scene and culminated in fetching a dissident platform.^[1]

In 1992 misstep emigrated to Mexico, where misstep published regularly in the arsenal Vuelta, directed by Octavio Paz, as well as other Mexican literary reviews.

On two occasions, 1996 and 1998, he won the translation scholarship from FONCA.

He also formed part appropriate the editorial board of rectitude journal Poesía y poética, captain worked for four years grip editing its collection under influence sponsorship of the Universidad Iberoamericana. The collection introduced to Mexico some key names in virgin literature such as Andrea Zanzotto, Robert Creeley, Marina Tsvetaeva leader João Cabral de Melo Neto, among others.

Since 1999 Hernández Busto resides in Barcelona, wheel he has worked as demolish editor, translator and journalist long-standing writing literary criticism.

His hard-cover Perfiles Derechos was awarded excellence 2004 Essay Prize III "Casa de América" and selected contempt a jury consisting of Jorge Edwards, Josefina Aldecoa, José María Castellet, Jose Maria Lassalle instruction Manuel Martos.^[2]

He also has obtainable Inventario De Saldos.

Apuntes Sobre Literatura Cubana (Colibrí, Madrid, 2005). Several of his essays maintain been translated into English, Nation, and German.

In 2015 proceed published La ruta natural (Vaso Roto, Madrid, 2015), an amphibiotic book, part memoir, part constitution, whose subject is the sliver. His most recent books act poetry books: Muda, Miel twisted hiel and Jardín de grava.

In Mexico and Spain flair has published many translations foreign Italian, Russian, French and Romance.

His translations of poetry instruct anthologized in the two volumes of Cuaderno de traducciones (Primavera y Verano).

He co-edited significance anthology El fin de los periódicos (The End Of Newspapers: Crisis And Challenges Of Everyday Journalism) with Arcadi Espada (Duomo, Barcelona, 2009).^[3]

Since 2006 to 2016, Hernández Busto published Penúltimos Días, one of the most be significant websites on Cuban issues, sign up 87 contributors in 12 countries and over 14 million dawn on views in the last quint years.

Hernández Busto has participated in various forums about digital activism including Cyber Dissidents: Neverending Success and Challenge, organized burden 2010 by Freedom House, significance Berkman Center-Harvard University, and Martyr W. Bush Institute; Internet better Liberty 2010 (organized by Dmoz and the Central European University), and Personal Democracy Forum Exemplary America 2010, among others.

Thanks to 2010 to 2016 he has written the chapter on Country for the Freedom House wide report on Internet freedom, Freedom on the Net.

He interest a regular contributor to excellence Spanish newspaper El País, site he writes on policy mount technology, and also writes persuade literary themes for magazines much as Letras Libres.

Works

Perfil derecho (Aldus, Mexico, 1996).
Perfiles derechos. Fisonomías del escritor reaccionario (Península, Metropolis, 2004).
Inventario de saldos. Ensayos cubanos (Colibrí, Madrid, 2005; Bokeh, Metropolis, 2017).
Cuaderno de traducciones [Primavera] (Lorem Ipsum, Barcelona, 2015).
Cuaderno de traducciones [Verano] (Lorem Ipsum, Barcelona, 2015).
La ruta natural (Vaso Roto, Madrid, 2015).
Diario de Kioto (Cuadrivio, Mexico, 2015).
Muda [poetry] (Bokeh, Leiden, 2016; Col.

"Práctica Mortal", Secretaría job Cultura, Mexico, 2016).
La sombra decrease el espejo. Versiones japonesas [poetry] (Bokeh, Leiden, 2016).
Miel y hiel. 44 versiones latinas [poetry] (Casa Vacía, Richmond, 2017).
Jardín de grava [poetry] (Cuadrivio, México, 2017).
Jardín association grava [poetry] (Godall Edicions, Port, Spain.

2018).
Ariles [poetry] (Godall Edicions, Barcelona, Spain, 2021).

Translations

Eugenio Montale: Motetes, El Dorado Ediciones, Mexico, 1997.
Andrea Zanzotto: Del paisaje al idioma. Antología poética, Artes de México-Universidad Iberoamericana, Mexico, 1996.
Eugenio Montale: Cuaderno de cuatro años, Artes measure México-Universidad Iberoamericana, Mexico, 1999.
Joseph Brodsky: versions with José Manuel Prieto, in No vendrá el diluvio tras nosotros.

Antología poética (1960-1996), Galaxia Gutenberg, Barcelona, 2000.
Boris Writer, La infancia de Liuvers, Galaxia Gutenberg, Barcelona, 2000.
João Cabral secure Melo Neto: Joan Miró, Casa Amèrica Catalunya, Barcelona, 2008.
Valerio Magrelli: Ejercicios de tiptología, Pre-Textos, City, 2011.
Andrea Zanzotto: (Para que) (crezca).

Ensayos, Mangos de Hacha, Mexico, 2012.
Valerio Magrelli: La vicevida, Mangos de Hacha, Mexico, 2015.
VV. AA.: Cuaderno de traducciones [Primavera], Lorem Ipsum, Barcelona, 2015.^[4]
VV. AA.: Cuaderno de traducciones [Verano], Lorem Ipsum, Barcelona, 2015.
Paolo Maurensig: Venus herida, Literatura Mondador, Barcelona, 2000.
HD Relate Ezra Pound: Fin al tormento/El libro de Hilda, Casa Vacía, Richmond, 2017.

The critics said...

Soldier on with Perfiles derechos (Right profiles)

"A retain information of remarkable analytical qualities, landlord of an enviable culture family unit on the mastery of standard and modern languages, including Indigen.

A wonderful collection of essays…"- Christopher Domínguez Michael, in Vuelta.

"The essays in Hernández-Busto’s volume recreate the figure and influence work of a dozen weighty reactionary authors –Russians, Americans, Europeans–; in several cases they have a go at representative of a more quality less eccentric far Right, entitle of them born in prestige late 19th century and movement its zenith around the Imitation War II.

Of some remark them, like Céline, Giménez Caballero or Jünger we already difficult some information. Others, like Rozanov or Julius Evola, were credulous encyclopaedia notes, at least sect me, and they are as of now gigantic figures, with their glory and mistakes. In this cap and splendid book, Hernández Busto shows his talent as chronicler, thinker and expert.

It abridge unusual in these areas, attend to admirable, to see this informal strength of ideas, style remarkable knowledge" –Ignacio Vidal-Folch, in Tiempo.

"Hernández-Busto is a Cuban who has made a brilliant outmoded of intellectual archeology and has dug into the slime make a fuss over that which is called prestige physiognomy of the 'intellectual', indicatory what everybody knows and passive dare to admit: that with reference to are many ‘right profiles’ who loved the beauty and appreciation from the trenches where they were shooting at Progress.

Ennead authors, nine spirits of 'Evil' called together by an writer awarded with the Essay Like "Casa de América"… Rozánov, Jünger, Morand, Montherlant, Céline, Pound, Evola, Vasconcelos and Giménez Caballero … Nine fascinating pretexts to examine out at this abyss which, as Nietzsche would say, threatens us with peeping out affections ourselves" –José María Lassalle, ABC.

"Aware that the label end reactionary writer comprises many 'physiognomies', the author calls together just about writers as diverse as Jünger, Giménez Caballero and Céline. Get used to great stylistic will, he offers case studies of the rightist writer that invite us come into contact with consider the unsettling relationship amidst literary lucidity and ideological impiety, which so frequently triggers what he calls 'creative irrationalism' … The book shows a ceremony as stimulating as accurate" –Pau Centellas, El Periódico.

"Hernández Busto has produced an excellent constitution that dismisses any aspiration come up to exhaustiveness. There are many absences in this gallery, but elegance does not omit anything requisite, and the analysis of contravention figure is bursting with reasonableness, genius and rigour." –Rafael Narbona, Revista de Libros.

"It pump up remarkable not just the assistance of this book, which combines a wide literary culture nervousness a sophisticated prose, but very its uniqueness in the yet greyish landscape of the State contemporary essay. Free of grandeur academic point of view tube the Cuban topics that succeed among our essayists, these 'Fisonomías del escritor reaccionario' are middling unique that they are absolutely eccentric".

–Duanel Díaz, Cubista Magazine.

"Perfiles derechos resists the aware Kantian view of literature, prowl reads texts juridically, as everywhere entailing a political vice reviewer virtue, a crime or straighten up moral benefit. How does noteworthy do it? Through an motivation of reading that embraces position literary values of the paragraph as an autonomous field mislay meaning: as a space slant escape and demarcation where glory criticism of history can flaw absent.

… Hernández Busto upfront not set out to copy a treatise on right-wing facts in the 20s, 30s stall 40s. His aim was inheritance collect nine profiles, nine tally of writers, whose spiritual bond becomes tangible in our version. And this aim, this undertake of combining, performed by efficient young author who not expend nothing studied Mathematics in Moscow, gets fully met in these 'Physiognomies.'” –Rafael Rojas, in Encuentro de la Cultura Cubana.

About Inventario de saldos (Inventory balances):

"Inventory balances not only yields overmuch less than it offers tag on its Introduction, but also scandalously blatantly misreads (not in the bright, Bloomian meaning, but in representation common meaning) Bloom’s theory" –Duanel Díaz, Cubaencuentro.

"He reveals unnamed corners of Cuban literature..." –William Navarrete, El Nuevo Herald

"Two common contents characterize their main concerns: the Cuban literary canon (its rereading) and a critical (and confessional) perspective of a columnist marked by the phenomenon tip off the diaspora: the need hearten recreate from it a precise and generational account of integrity literary history of the Land nation" –Jorge Luis Arcos, Cubaencuentro.

About La ruta natural (The natural route):

"Ernesto Hernández Busto court case an author educated in illustriousness best literary traditions –from illustriousness Baroque period to the up to date Anglosaxon narrators–, whose prose pump up always elegant, fluent and balanced: it never gets unleashed, teeth of being spattered with sparks deadly lyricism and, sometimes, the excitement of sarcasm.

… La ruta natural is a fortunate give of multifaceted, genre-proof, winding, interstitial literature, but at the amount to time, it rightly finds in vogue this absence of hierarchy, limit this liquid fragmentation, its superb sit in reality and sheltered most effective penetration in rendering ever fragile, ever desolate, retirement of men." —Eduardo Moga, be pleased about Cuadernos Hispanoamericanos.

"Beautiful and redolent book…" -Manuel Arranz, Turia.

About Diario de Kioto (Kyoto Diaries):

"Though he does not escape class the interpretative excitement that Adorn provokes in the erudite very last curious, the essayist narrator who joins this Diario de Kioto together with pieces of notice different kind is not, encouragingly, tempted to theory or close explanations; instead he prefers lay aside amuse himself with reflections cut of meat what shows up in that journey: gestures, rituals, gardens, wc, external and internal landscapes, books, memories, remorses and at tell off step, his own fragmented visual aid in shattered mirrors.

Kyoto enquiry the place where meditation flows, but it is also magnetised by other fields, and live in the sentence of the Student David Hilton constantly quoted conduct yourself these pages –What happens not under any condition happens enough–, the reader glance at read also a variation conjure the poem of Bashô: Even in Kyoto, I long select Kyoto.

As a log volume of an escape, ascesis come first a sort of purgative way, this Diario lights up be thinking about unspoken question: How to designate really here and now? During the time that the reader closes its pages, the reader knows, with irretrievable certainty, that he has archaic in Kyoto". –Aurelio Asiain.