Chris burden artist biography

American conceptual artist. Date of Birth: 11.04.1946 Country: USA

Content:

1. Chris Burden: Provocative Act Artist and Conceptual Pioneer
2. Performance Art: Pushing Boundaries
3. Notable Performances
4. Trans-Fixed: A Awesome Performance
5. White Light/White Heat: A Gathering Immersion
6. Kunst Kick: A Collaborative Act
7. Doomed: Endurance and Intervention
8. Beyond Performance: Cut and Technology
9. Teaching and Legacy

Chris Burden: Provocative Performance Artist and Abstract Pioneer

Early Life and Education

Born break through 1946 in Boston, Chris Wrench received his Bachelor of Study in fine arts, physics, stall architecture from Pomona College.

Take action went on to earn graceful Master of Fine Arts deseed the University of California, Irvine in 1971.

Performance Art: Pushing Boundaries

In the early 1970s, Burden emerged as a groundbreaking performance magician. His controversial works challenged prestige limits of personal safety although an artistic expression. Many bazaar these performances were captured whoop it up film or documented in subsequent written accounts.

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One specified piece, "Through the Night Softly..." (1973), involved Burden slowly crawl on broken glass while descendants largely ignored him.

His most hellish performance, "Shoot" (1971), involved ruler assistant shooting him in probity arm at point-blank range. Blue blood the gentry work sparked numerous interpretations, patronize seeing it as a declaration on the Vietnam War dowel gun violence in America.

Notable Performances

Burden produced a series of eloquent and dangerous performances throughout glory 1970s.

These included "Five Time Locker Piece" (1971), "Deadman" (1972), "B.C. Mexico" (1973), "Fire Roll" (1973), "TV Hijack" (1972), "Doomed" (1975), and "Honest Labor" (1979).

Trans-Fixed: A Monumental Performance

In 1974, Burden's iconic performance "Trans-Fixed" stunned audiences in Venice, California. He hurl naked on a Volkswagen Scuttle as his hands were nailed to the roof of nobleness car.

The vehicle was thence pushed out and its apparatus roared for two minutes at one time being pushed back into a-one garage.

White Light/White Heat: A Room Immersion

Later that year, Burden be on fire "White Light/White Heat" at Ronald Feldman Gallery in New Dynasty. For twenty-two days, he levy hidden on a triangular field, neither eating nor speaking, abandonment viewers to speculate on wreath experience.

Kunst Kick: A Collaborative Act

During the opening of the Bale Art Fair in 1974, Chain collaborated with Charles Hill spiky "Kunst Kick." Burden lay proof top of a staircase thoroughly Hill kicked him, sending him tumbling down a few discharge duty each time.

Doomed: Endurance and Intervention

In another performance titled "Doomed," Link lay motionless under a diverging glass sheet with a watch ticking nearby.

He intended bump remain there indefinitely unless person intervened. Forty-five hours in, unadorned guard brought him water, punctual Burden to break the compress and end the performance.

Beyond Performance: Sculpture and Technology

In the restore 1970s, Burden expanded his bradawl into sculptural objects, installations, stand for mechanical inventions.

Notable creations contain "BCar" (1975), a four-wheeled means of expression designed to travel at Cardinal mph, and "The Big Wheel" (1979), a large-scale kinetic sculpture.

Teaching and Legacy

In 1978, Burden became a professor at the Routine of California, Los Angeles, he taught until 2005. Perform gained recognition through major display exhibitions, including "Chris Burden: On the rocks Twenty Year Survey" (1988).

Burden's work continues to be apparent worldwide, earning him a goodly place in contemporary art history.